26th Nov, 2022 11:00

Post-War & Contemporary Art

 
  Lot 18
 

18

BANKSY (British Street Artist, born 1974)

BANKSY (British Street Artist, b. 1974) ’Broken Window Theory’ (Leeds, 2003) Stencil and spray paint on a concrete block wall Size: 160 cm x 140 cm x 15 cm (+/-) (63 x 55 x 5.9 in) Estimate: € 225,000 - € 275,000. CONDITION Excellent and Authentic (Please refer to department for Condition report) DESCRIPTION - This large scale work by Banksy depicts a small television flying through a window, sending large shards of glass into the air as it drags its long cord behind it. Sprayed onto a plain concrete block wall, it is a very powerful, monochrome image that likely satirically references the Broken Window Theory (see Notes). It is the only known rendering of this stencil, with another version appearing in Old St, London the same year. PROVENANCE - Following the success of their Think Tank album for which Banksy did the album artwork, Blur were invited to appear on the front cover of the launch issue of the Observer Music Monthly magazine in September 2003 and commissioned Banksy to design the backdrop for their photo shoot. The photoshoot and interview was booked for the afternoon of the band's headlining performance at the Leeds Festival and was beset with problems from the start. To quote the Observer, ‘A date was set for the afternoon of the group’s headlining performance at the Leeds Festival, but that almost fell through as two days before the shoot Banksy went AWOL. It later transpired that he had been arrested in Berlin for defacing a building.’ On arriving at the venue, it was apparent to Banksy that there was nothing obvious for him to paint on, and so a neighbouring farmer granted him permission to paint something onto a concrete block wall and something else onto the metal doors of his duck shed. Banksy produced two works that afternoon, the first depicting a TV being thrown through a broken window, which was painted onto the concrete block wall and was later used by the Observer with the band appearing below. The second work depicted a girl hugging a TV and was painted onto the doors of the duck shed. NOTE - Banksy said of the Think Tank album collaboration: “I've done a few things to pay the bills, and I did the Blur album. It was a good record and the commission was quite a lot of money. I think that's a really important distinction to make. If it's something you actually believe in, doing something commercial doesn't turn it to shit just because it's commercial. Otherwise you've got to be a socialist rejecting capitalism altogether, because the idea that you can marry a quality product with a quality visual and be a part of that even though it's capitalistic is sometimes a contradiction you can't live with. But sometimes it's pretty symbiotic, like the Blur situation”. - In the March 1982 issue of Atlantic Magazine, there was an article entitled 'Broken Windows’ in which the 'Broken Window Theory’ was first introduced, the theory being that if a window in a building is broken and is left unrepaired, it creates an environment of lawlessness where further crime and civil disorder will soon follow. - Listed in Hessink’s ‘Catalogue Raisonné of Banksy’s Street Art’, No.542 and ‘The Observer Music Monthly’, September 2003

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Sold for €275,000


 

BANKSY (British Street Artist, b. 1974) ’Broken Window Theory’ (Leeds, 2003) Stencil and spray paint on a concrete block wall Size: 160 cm x 140 cm x 15 cm (+/-) (63 x 55 x 5.9 in) Estimate: € 225,000 - € 275,000. CONDITION Excellent and Authentic (Please refer to department for Condition report) DESCRIPTION - This large scale work by Banksy depicts a small television flying through a window, sending large shards of glass into the air as it drags its long cord behind it. Sprayed onto a plain concrete block wall, it is a very powerful, monochrome image that likely satirically references the Broken Window Theory (see Notes). It is the only known rendering of this stencil, with another version appearing in Old St, London the same year. PROVENANCE - Following the success of their Think Tank album for which Banksy did the album artwork, Blur were invited to appear on the front cover of the launch issue of the Observer Music Monthly magazine in September 2003 and commissioned Banksy to design the backdrop for their photo shoot. The photoshoot and interview was booked for the afternoon of the band's headlining performance at the Leeds Festival and was beset with problems from the start. To quote the Observer, ‘A date was set for the afternoon of the group’s headlining performance at the Leeds Festival, but that almost fell through as two days before the shoot Banksy went AWOL. It later transpired that he had been arrested in Berlin for defacing a building.’ On arriving at the venue, it was apparent to Banksy that there was nothing obvious for him to paint on, and so a neighbouring farmer granted him permission to paint something onto a concrete block wall and something else onto the metal doors of his duck shed. Banksy produced two works that afternoon, the first depicting a TV being thrown through a broken window, which was painted onto the concrete block wall and was later used by the Observer with the band appearing below. The second work depicted a girl hugging a TV and was painted onto the doors of the duck shed. NOTE - Banksy said of the Think Tank album collaboration: “I've done a few things to pay the bills, and I did the Blur album. It was a good record and the commission was quite a lot of money. I think that's a really important distinction to make. If it's something you actually believe in, doing something commercial doesn't turn it to shit just because it's commercial. Otherwise you've got to be a socialist rejecting capitalism altogether, because the idea that you can marry a quality product with a quality visual and be a part of that even though it's capitalistic is sometimes a contradiction you can't live with. But sometimes it's pretty symbiotic, like the Blur situation”. - In the March 1982 issue of Atlantic Magazine, there was an article entitled 'Broken Windows’ in which the 'Broken Window Theory’ was first introduced, the theory being that if a window in a building is broken and is left unrepaired, it creates an environment of lawlessness where further crime and civil disorder will soon follow. - Listed in Hessink’s ‘Catalogue Raisonné of Banksy’s Street Art’, No.542 and ‘The Observer Music Monthly’, September 2003

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Auction: Post-War & Contemporary Art, 26th Nov, 2022

Hessink’s is delighted to present its Post-War & Contemporary Art sale, which represents a unique opportunity for new and seasoned collectors to acquire works by highly sought-after artists. This beautiful curated collection features works from Banksy, Damien Hirst, Keith Haring, Andy Warhol, Roy Lichtenstein, Salvador Dali and August Rodin. Also part of this sale is a small collection of Chinese Contemporary Art and Indian Contemporary Art.

View all lots in this sale