17th May, 2025 11:00
Religious Art Auction Religieuze Kunst
5
Circle of Sir Anthony van Dyck (Antwerp 1599-1641 London)
Flemish School, Antwerp, circa 1627.
Oil on copper.
Depicting Christ on the Cross, shown frontally with head turned upward in a gesture of agonised supplication. His arms are fully extended, hands nailed to the upper beam, and the torso slightly twisted, heightening the expressive tension. The background is rendered in a somber palette, emphasising the stark verticality of the cross. A scroll with the inscription “INRI” crowns the scene. The flesh tones are subtly modulated with characteristic Venetian-inspired coloration, and the figure is anatomically precise yet emotionally charged.
Kring van Sir Anthony van Dyck (Antwerpen 1599–1641 Londen).
Vlaamse school, Antwerpen, ca. 1627.
Olieverf op koper.
Voorstelling van Christus aan het kruis, frontaal afgebeeld met het hoofd omhoog gericht in een gebaar van pijnlijke smeekbede. De armen volledig gestrekt, met de handen aan de dwarsbalk genageld; de romp licht getordeerd om de expressieve spanning te versterken. De achtergrond is in een somber palet gehouden en benadrukt de verticale as van het kruis. Bovenaan een banderol met het opschrift “INRI”. De vleestonen zijn subtiel gemoduleerd, met kleurgebruik dat herinnert aan de Venetiaanse schildertraditie. De figuur is anatomisch nauwkeurig weergegeven, met sterke emotionele lading.
29.5 x 19.7 cm.
Provenance:
Dutch Private Collection
Note:
Anton van Dyck created several paintings of the Crucifixion for churches. Alongside the large altarpieces, he also made smaller works that focus only on Christ on the Cross, without any other figures. These smaller paintings were likely meant for private devotion and reflect the moment of Christ’s deep suffering and feeling of abandonment.
There are a number of similar versions of this scene, some believed to be made by Van Dyck’s workshop or artists close to him. The best-known signed version is in the Royal Museum of Fine Arts in Antwerp. Van Dyck painted it in 1627 for the head of the Augustinian monastery in Antwerp.
Flemish School, Antwerp, circa 1627.
Oil on copper.
Depicting Christ on the Cross, shown frontally with head turned upward in a gesture of agonised supplication. His arms are fully extended, hands nailed to the upper beam, and the torso slightly twisted, heightening the expressive tension. The background is rendered in a somber palette, emphasising the stark verticality of the cross. A scroll with the inscription “INRI” crowns the scene. The flesh tones are subtly modulated with characteristic Venetian-inspired coloration, and the figure is anatomically precise yet emotionally charged.
Kring van Sir Anthony van Dyck (Antwerpen 1599–1641 Londen).
Vlaamse school, Antwerpen, ca. 1627.
Olieverf op koper.
Voorstelling van Christus aan het kruis, frontaal afgebeeld met het hoofd omhoog gericht in een gebaar van pijnlijke smeekbede. De armen volledig gestrekt, met de handen aan de dwarsbalk genageld; de romp licht getordeerd om de expressieve spanning te versterken. De achtergrond is in een somber palet gehouden en benadrukt de verticale as van het kruis. Bovenaan een banderol met het opschrift “INRI”. De vleestonen zijn subtiel gemoduleerd, met kleurgebruik dat herinnert aan de Venetiaanse schildertraditie. De figuur is anatomisch nauwkeurig weergegeven, met sterke emotionele lading.
29.5 x 19.7 cm.
Provenance:
Dutch Private Collection
Note:
Anton van Dyck created several paintings of the Crucifixion for churches. Alongside the large altarpieces, he also made smaller works that focus only on Christ on the Cross, without any other figures. These smaller paintings were likely meant for private devotion and reflect the moment of Christ’s deep suffering and feeling of abandonment.
There are a number of similar versions of this scene, some believed to be made by Van Dyck’s workshop or artists close to him. The best-known signed version is in the Royal Museum of Fine Arts in Antwerp. Van Dyck painted it in 1627 for the head of the Augustinian monastery in Antwerp.
Auction: Religious Art Auction Religieuze Kunst, 17th May, 2025
Hessink’s Fine Art Auctioneers invites collectors and art enthusiasts to its upcoming Religious Art Auction, taking place on 17 May 2025 at 11:00 AM in Beek, Limburg, Netherlands. This curated event features a distinguished selection of 17th-century religious paintings by renowned Old Masters, alongside exquisite porcelain and ceramics spanning the 18th to 20th centuries.
Highlights include masterful oil paintings reflecting the spiritual artistry of the Dutch Golden Age, as well as rare porcelain pieces showcasing the craftsmanship of internationally acclaimed artists. This auction presents a unique opportunity to acquire significant works that embody the rich heritage of religious art.
Explore a diverse selection of antique religious paintings, porcelain and earthenware figures, and plaques, alongside a stunning collection of modern and contemporary artworks. Whether you're a collector, an institution, or an enthusiast, this auction provides a rare opportunity to acquire sacred and meaningful pieces. Discover timeless treasures that inspire and endure.
Viewing
Viewing days are from Friday till Saturday 9 and 10 May, from 10:00 to 17:00 hours, and Monday till Friday 12 to 16 May from 10:00 to 17:00 hours cet.
